Introducing the Fender Acoustasonic 40 Acoustic Combo Amplifier, a versatile and portable solution for amplifying your acoustic-electric guitar and microphone. This amplifier is designed to be a convenient and flexible option for various musical performances and basic public address applications. It’s equally well-suited for use as an onstage monitor when integrated with a larger PA system.
The Acoustasonic 40 amplifier provides 40 watts of power, ensuring sufficient volume for a range of settings and performances. It’s equipped with two 6.5″ speakers featuring whizzer cones, which contribute to enhanced high-frequency response and a clear sound projection.
The amplifier offers two separate channels, each with its own XLR-1/4″ combo input. This allows you to connect both a microphone and an instrument simultaneously, accommodating a singer-songwriter setup or any application that requires both vocals and guitar amplification. Additionally, there’s a 1/8″ auxiliary input for connecting external audio sources.
While the Acoustasonic 40 does not include phantom power, it does feature a 3-band EQ for each channel, allowing you to shape your sound to your preferences. The built-in digital hall reverb adds a touch of ambience to your performance, enhancing the overall sonic experience.
The Fender Acoustasonic 40 amplifier offers a straightforward and portable solution for amplifying your acoustic-electric guitar and vocals. Whether you’re performing on a small stage, practicing at home, or addressing a small audience, this amp’s versatility and user-friendly features make it a reliable choice.
Specs
- Type:Acoustic Combo Amp
- Number of Channels:2
- Total Power:40W
- Speakers:2 x 6.5″ speakers with whizzer cones
- Inputs:2 x XLR-1/4″ combo (mic/instrument), 1 x 1/8″ (aux)
- Phantom Power:No
- Outputs:1 x XLR (line out)
- Headphones:1 x 1/8″
- EQ:3-band EQ
- Reverb:Digital Hall Reverb
- Construction Material:Plywood with brown textured vinyl
- Power Source:Standard IEC AC cable
- Height:11″
- Width:15″
- Weight:16.5 lbs.
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