When Bill Collings first met the brilliant young jazz musician Julian Lage, in 2014, the two began a series of in-depth conversations about their respective crafts. Lage’s profound insights as a guitarist would play a key role in the creation of Collings T (Traditional) Series guitars. This rare collaboration, which continued right up until Bills passing, in July, 2017, has yielded another exceptional new guitar with an old soul. We are proud to present a highly personal extension of the T Series: the Julian Lage Signature OM1.
Though Lages guitar shares the same foundational specs as the OM1 T, it is unique in some key ways. Its neck feels like no other Collings guitar. Thats because its modeled after Lages cherished 1939 Martin 000-18. This pre-war gem is heard on the guitarists 2015 solo album, Worlds Fair, and was his main touring acoustic for years.
The000-18sneckwhichwasofcourseoriginallyhand-shapedandsandedhasadistinctivetaperalteredbydecadesofwear.ForLage,thisparticularneckhadcometofeellikehome.Throughcarefulanalysisanddigitizationofitsuniquedimensions,wewereabletopreciselyrecreateitswornin,asymmetricfeelonhissignaturemodel.Whilewemaintainedtherelativelynarrow111/16″nutofthe00018’sneck,weextendedthefretboardfromtheoriginalshortscaletoourstandard25″lengthforslightlygreater presence and note definition.
Lage has an affinity both tonally and aesthetically for vintage guitars whose finishes have mellowed after years of playing. To recreate this effect we initially considered a varnish, but to achieve the ideal combination of a thin finish application and a vintage aesthetic, we landed on a custom satin lacquer. This new finish offering not only feels and looks right to Lage, he finds it has the same inherent openness of tone that is present in the best pre-war instruments.
With his typical descriptive eloquence, Lage characterizes his signature model as a lovingly neutral guitar. It has a remarkably even response between registers. Its not an empty flatterer, but an instrument that rewards you when youre playing your best. In this way, Lage, whose own education is unending, sees the guitar as a teacher.
Lages signature model incorporates a script peghead logo not seen on a new Collings instrument in decades. This is the inlay that Bill hand-cut some 30 years ago when he started out in a tiny shop in Austin, Texas. We see this as a loving tribute to our late leader, who in his final project was able to realize the perfect new steel-string for one of todays most exacting guitarists.
| Top | Adirondack |
| Back & Sides | Honduran mahogany |
| Construction | Traditional Series Build and Voicing |
| Neck | Honduran mahogany |
| Body Binding | Tortoise with custom wood purflings |
| Fingerboard Binding | None |
| Peghead Binding | None |
| Bridge | Ebony belly-style with 2 3/16″ spacing |
| Fingerboard | Ebony with gold MOP short dots |
| Fingerboard Radius | 14″ – 26″ compound |
| Bridge Pins/End Pin | Ebony with MOP dot |
| Nut | Bone, 1 11/16″ |
| Saddle | Bone, drop-in |
| Neck Profile | Custom JL carve |
| Peghead Profile | Square |
| Neck Joint | Mortise & tenon hybrid |
| Truss Rod | Fully adjustable |
| Frets | Medium 18% nickel-silver |
| Peghead Veneer | Ebony with gold MOP Collings script logo |
| Tuners | Relic nickel Waverly with vintage oval buttons (16:1 ratio) |
| Backstrip | 1-style (walnut) |
| Rosette | Custom wood rosette |
| Scale Length | 25 1/2″ |
| Brace Material | Sitka spruce |
| Brace Pattern | Custom Traditional Series pre-war scalloped X-brace (no tongue brace) |
| Body Finish | Custom satin nitrocellulose lacquer |
| Neck Finish | Custom satin nitrocellulose lacquer |
| Pickguard | Tortoise |
| Strings | D’Addario NB1253 (.012″- .053″) |
| Case | Deluxe hardshell case by TKL |
SN: 32288





Reviews
There are no reviews yet.