The most exquiste, ornate model in the Taylor Gold Label Collection – this is the Gold Label 914e Super Auditorium. The 914 is built with a torrefied Adirondack spruce top paired with Honduran rosewood for the body. The result is a deep, warm, beautifully textured voice marked by blooming overtones and a played-in sonic personality. Heavier strummers will appreciate how the Adirondack tops extra headroom encourages them to really dig in.
Aesthetic touches nod to much older instruments, including grained ivoroid body binding and trim, a modified headstock with script-style mother-of-pearl peghead logo and a distinctive, engraved pickguard. An array of iridescent shell appointments is rounded out by new Continental Deluxe fretboard and peghead inlays rendered in paua and mother of pearl, a mother-of-pearl peghead logo, a single-ring paua/Honduran rosewood rosette, and paua fretboard and peghead purfling that flourishes in an ornate embellishment at the pegheads crown. The 914ce also features a Honduran rosewood curve wing bridge, Indian rosewood bridge pins and Gotoh 510 antique gold tuners with ebony buttons. It ships with LR Baggs Element VTC electronics and a deluxe hardshell case with a British Cocoa exterior.
Includes: Hardshell Case and Paperwork
- Acoustic-Electric Guitar
- Natural Finish
- Torrefied Adirondack Spruce Top
- Honduran Rosewood Back and Sides
- 25.5″ Scale Length
- 1-3/4″ TUSQ Nut
- Mother of Pearl “Continental Deluxe” Fretboard Inlays
- Grained Ivoroid Body and Soundhole Binding
- On-Edge Grained Ivoroid Body Purfing
- Single-Ring Paua/Honduran Rosewood Rosette
- Honduran Rosewood “Curve Wing” Bridge with Bone Pins
- Gotoh 510 Tuners with Ebony Buttons
- L.R. Baggs Element VTC Electronics
- 4 lbs, 13 oz.
- .850″ Neck Thickness at 1st Fret
- .880″ Neck Thickness at 9th Fret
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